Design - Head - Display hidden Design - Head - Layout default Design - Head - Color default Sub-Menu - Display - Design default Magazine Search Admin Title D7 Paragraph: r17_custom_page_header / GPC_ID: 4718 Display default Layout default-12 Search Admin Title D7 Paragraph: r17_views / GPC_ID: 51301 D7 blog Search term Year Min Max Sort options Sort Newest first Oldest first Prof. Dr. h.c. Lothar Späth - Das ZKM trauert um einen Paten und Partner Art in Motion Media art arises when one of the three conditions is fulfilled: apparative production, apparative distribution, apparative reception. These three conditions are changed by storage techniques. Jacob Birken zu »ARTandPRESS« rosalie Wir trauern um Armin Köhler Gravity in Slow Motion – »Force« by Kohei Nawa Is the sombre rain solid or fluid? Is it falling or is it standing still? These questions are difficult to answer just by looking. the big picture A robot arm, an uninterrupted line extending hundreds of kilometres, 900 million movements, 2,000 positionings of the canvas – this is the origin of »the big picture«. Denise Rothdiener zu »ARTandPRESS« JHQ Rheindahlen. Blaffert & Wamhof Schmuckstücke aus vergangenen Zeiten Future Apps – ZKM is presenting the annual AppArtAward Interview mit Gilles Gobeil Interview mit Valerio de Bonis und Giulio Colangelo Lebenswerk-Echo für YELLO William Kentridge: »More Sweetly Play the Dance« At nightfall, it becomes visible on the outer façade of the Cube, so that the exhibition extends as far as the ZKM spatially as well as in terms of time and media. Pagination First page « First Previous page ‹ Previous Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7 Page 8 Current page 9
Art in Motion Media art arises when one of the three conditions is fulfilled: apparative production, apparative distribution, apparative reception. These three conditions are changed by storage techniques.
Gravity in Slow Motion – »Force« by Kohei Nawa Is the sombre rain solid or fluid? Is it falling or is it standing still? These questions are difficult to answer just by looking.
the big picture A robot arm, an uninterrupted line extending hundreds of kilometres, 900 million movements, 2,000 positionings of the canvas – this is the origin of »the big picture«.
William Kentridge: »More Sweetly Play the Dance« At nightfall, it becomes visible on the outer façade of the Cube, so that the exhibition extends as far as the ZKM spatially as well as in terms of time and media.
